Unattainable Utopia
Sunday, June 3, 2012
The Cities
Number Play
A strange and
fantastic book, Invisible Cities, by
the superb Italo Calvino is a dialogue between its only two characters: Kublai
Khan and Marco Polo, the latter narrates the stories of the invisible cities to
the first. In fact the book lacks any sort of plot line or beginning. Meaning
you can actually read the book in which ever order you like and achieve a
comprehensible story with different meanings each.
Each of the fifty-five cities described in the
book have a number. The way Calvino organized the book, the first chapter is
the only one in which the chapter begins with the number one. Then continuously
the number increases and then decreases back to one again and there are no
number fives which are included in every chapter there forward(1,2,1,3,2,1,4,3,2,1).
From the second chapter up to chapter eight all the chapters will begin with
the number five and descend to number one (5,4,3,2,1). Number nine has a
different pattern it decreases in an inverse way than chapter one did. Starting
at five and finally reaching five again (5,4,3,2,5,4,3,5,4,5) strangely never
having a one. I still have no comprehension of what role this number play plays
in the book.Monday, May 28, 2012
Always Cooperate
Wednesday, May 16, 2012
Humans
We tend to forget humans are also animals, our behaviors are the same as those of your dog or a wild lion. The book describes different gene attitudes: selfishness an survival being the two most important. When talking about them he posts the example of a flock of certain animals on the hunt. One will always be aware of the dangers, but insist on only saving themselves if the predator appears. Most interestingly it will try to reduce their chances of getting caught by trying to evade the edges of the flock. This reminded me of the trip to La Guajira. When time came to choose your chinchorros (traditional Colombian hammocks), everyone would run into the rancheria and get one of the center hammocks. Everybody hated the edges, they were scary for us. Yet this leads plus back to gene behavior of survival and selfishness. If anything were to happen the persons in the corners are more prone to danger than those in the middle. Pure animal instinct.
To prove even more how selfish genes are Dawkins talks about the "cave theory". Before the author even explained this I was wondering how animals like the birds would fit Ito his theory that your own life is more important than the flock, well the bird will sing to alert danger. The cave theory maps out why animals that live in communities tend to alert the rest when danger is near. Due to what the book is about we can predict genes are not generous and courteous and alert for others benefits. Instead they do so to protect themselves once again. If one creature spots the predator he could hide in the grass and act as if nothing was happening. But, " any one of them [the flock] could attract the hawk's attention and then the whole flock is peril." (PG. 169) I wonder then with all the respect and passion I have for helping others and social service : why do humans do it? Is it cause we have a higher gene conscious that leads us to feeling pity, or did society only invent service to balance everybody. It is not in our genes we are designed for survival.
Tuesday, May 15, 2012
Understanding Biology
Referring back to the title, grateful I am to have read this book ( even more when finals are coming up). What many scientists describe as a double helix, Dawkins calls it an "immortal coil" (PG.22). The word double helix works as a visual aid, well the shape of DNA is exactly that. But the reference to an immortal coil gives the reader a better understanding of the usage and functioning of DNA. It is ever lasting, there is no way one can destroy or embed this helixes through human power.
Nucleotides are said to be te building blocks by Dawkins. A, T, C, and G are no longer sodium-phosphate letters which I had no comprehension about whatsoever. Now they turned into the building blocks that hold together the immortal coil (PG.23). I begin to doubt the science teaching method, if it was only more visual and less theoretical. I understand it is impossible tu visualize an atom, even less DNA but with simple relations like this everything becomes easier to understand.
Relating to the whale story and the spindle cell we saw in class, Dawkins talks about how animals are taught. They have learned not to eat colored butterflies because of their toxins. They do not know that eating that butterfly will cause them death, because they looked into their eyes and felt the warning from the butterflies.
Mimicry: The close external resemblance of an animal or plant (or part of one) to another.
I can only conclude that this book is helping me succeed in biology.
Sunday, May 13, 2012
Stable Replicator
Sunday, February 26, 2012
The Ugly Truth
This weekend I (“had the pleasure of” terrible movie don't ever watch it) watched The Ugly Truth a chick-flick based around love and lust. What astonished me was the resemblance it had with Candide, it had nothing to do with the topic or how it was written. But instead both the movie and the book had similar approach over a controversial topic. This is the last blog I will write about Candide, not only because the book is over but because Voltaire has finally expressed his true reason towards writing this book. As in the movie, it runs all the time satirically mocking love through the eyes of a player how believes life if ever lived with love will suck, therefore promotes lust and it being the only way of living a happy life. When at the end of the movie he ends up falling in love with the other main character, I know how unexpected.
Candide has its similarities with the movie. Throughout the book, before the last page, there is only one part in the book in which Candide dares to defy his “all is for the best” life motto. But it was not for long as he corrects himself before the sentence is even over.
“What would Professor Pangloss say if he had seen how unsophisticated nature behaves? No doubt all is for the best, but I must say it is very cruel to have lost Lady ConĂ©gonde and to be skewered by the Oreillons.” (PG.71)
If a satire is written correctly there is no need to reveal your real point when writing. When finishing the novel there is no explaining to do, just reflection. The book has unraveled. Voltaire has mocked the world, its religion, its people all along you finally come to his conclusion:
“There is a chain of events in this best of all worlds…” “That’s true enough,” said Candide; “but we must go and work in the garden.” (PG. 144)
The ‘chain of events’ that happen in your life are suited for the best, and they fall into that order for a reason. Yet those are random and uncontrollable. The only way to make this your life and live it the fullest is by ‘working your garden’. Toiling through the hard situations, Voltaire emphasizes lastly that nature is not enough, nature affects everybody equally. If you ever want to succeed you need to risk it, to finally get the biscuit.
Might I add the book was in its self an odyssey. At the beginning it was hard to comprehend, the titles of each chapter were spoilers of what was to come and what through me off the most was the lame and monotone storyline. After comprehending satire, it becomes interesting and funny, to see once perspective of the beautiful life brought down by one guy and his clumsy characters in a book. Lastly when you reach the end you have changed your approach towards the book so many times, you never expect that one last change, that moral lesson. Learning something from those one hundred and some pages of mockery.

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